N\u00e3o tem jeito… O meu maior problema \u00e9 que nunca acabo nenhum projeto j\u00e1 que quando estou com ele em andamento aparece algo que chama totalmente a minha aten\u00e7\u00e3o e rouba a minha concentra\u00e7\u00e3o. Confesso que estou me segurando para n\u00e3o largar tudo e me atirar de cabe\u00e7a nisso:<\/p>\n
Wired News – Real DJs Code Live<\/a><\/p>\n “I tend to fall back on pre-prepared scripts if it’s 3 o’clock in the morning and I’ve been drinking a lot,” he said. “If I manage to stay sober, I will be much more daring and start from no code at all.” Maclean, who plays up-tempo dance music with a trumpet-playing friend under the moniker Slub<\/a>, performed and spoke on a panel at the Cybersonica<\/a> festival in London in May.<\/p>\n He wrote his own custom text editor called Feedback.pl<\/a>, which recompiles his programs continuously throughout a set. Every keystroke builds an evolving melody as his darting cursor adds and replaces functions and tempo variables. The live composition process is displayed to patrons on large projector screens.<\/p>\n Livecoders have formed an international consortium called TOPLAP<\/a>, which stands for “temporary organization for the proliferation of live audio programming” and has 200 members. For them, livecoding is a philosophical challenge<\/a>.<\/p>\n “By describing a musical idea in code, we’re describing it at a higher level than if we’re entering notes into a sequencer,” Maclean said.<\/p><\/blockquote>\n